Crafting a Story

Capturing the Hidden Sunset out back of our Cottage at Point Pelee.jpgI lived with a wonderful family in Cornwall in their charming century home. I was a boarder, and although I craved my alone space, being part of a family was a lifeline for me. I was reeling from lost love, self-hate, and being thrown into the open, no longer with any anchor (i.e. school). I felt so utterly lost and confused, and so I started to grasp on to futures, stories, trajectories – anything that would get me away from. . . me. This family believed in me, and it was because of them that I avoided descending permanently into isolated despair as I desperately tried to feel better.

There was – and is – a wiser side to me, to all of us, even in the midst of pain. Some call it the wise, compassionate adult. This part of me would tell me, when I started obsessing over what everyone else was doing, that I was crafting my own story. Given that this was my own story, by nature, it had to be different than anyone else’s. It would tell me that I had the ability – and the choice – to live this story and to rejoice in this story, but that it wouldn’t always be easy. Writing was my lifeline to this part of me, both writing in my journal and writing poetry. Along with my Cornwall family, this adult in me carried me through this pain.

I had much more to learn from this part of me – I still do. The funny part is, the same pain is still with me – the narrative of this pain has not changed, despite my circumstances. I can read my journal from 11 years ago, and it fits the same narrative of my pain today. But the adult part of me, its voice and narrative, has changed and evolved as I’ve grown. I’ve learned to listen to it more closely, and I’ve slowly unraveled its messages. The pain is stagnant – a holdover from my earliest days played out over and over again. I learn little from it, and it yields only more anguish. The wise part of me is forever teaching me, however. The real journey has been to listen and to trust it.

Definitions

Who would I be

If someone approached

And defined me

If I cut my food in the other direction

Asked an invisible thing for protection

Wore my hair a certain way

Raised one finger as if to say

I don’t like you very much.

 

Who would you be

If you used someone else’s name

And worshipped some god steadily

Except on Tuesdays

But other days

You were a procession, all in flame,

And worldly honour as you played that game

You played it well, and it defined you.

 

But sometimes, it seemed to me,

That this procession went in circles.

And it got old and silly.

That’s when I turned to look at me

And picked up the pen and wrote discerningly

That’s when I learned to craft my own story

And do away with definitions.

First Love

Megan - Greece 151.jpgCornwall was difficult for another reason, beyond my fear of impending bird flu: I was heart-broken. I had just come out of the most beautiful several months of my life thus far: first, I got to work on two projects in Bermuda with my professor and friends. But second, and most of all, I spent the summer on a field school on the island of Crete, and fell in love for the first time in my life.

I was always kind of late bloomer when it came to dating. I had never had a significant other throughout high school and undergrad, and had been on very few dates. So much held me back – insecurity, self-hate, fear – I’m sure many can relate. I never felt comfortable in my own skin. I worried what other people would say about the person I was dating (especially my family), as if my self-worth was somehow reflected in my significant other. I was shy. I seemed mostly in to people I couldn’t have. I could go on.

So on this field school, on my first night, I met someone. He came and sat with my friends and I at dinner. He bought me raki (Cretan moonshine) later in the night. I assumed he had a girlfriend. Throughout that first week he would talk to me, but I thought little of it. The second weekend, after our first full week of work, I was looking forward to seeing him. And when there was a moment when he was sitting alone at the local bar where we all hung out, I asked if I could come sit with him. We talked and talked and talked and I relished in every second of it. And it was clear to us and to everyone else that we were a thing.

And it was a fantastic summer! One of those summers where the stars seemed to align and we all just had fun. And I was in love. On Crete. Now, if there is one lesson in this experience (which I failed to learn), it’s that things happen at their own pace. I wanted so desperately to have someone throughout my adolescence and thought that there was something fundamentally wrong with me because I couldn’t find someone. I watched my friends find people and fall in (and out of) love. I watched them go on dates. And I railed against the fact that I could not do this. But I did – it happened in its own time. And I would not have changed a thing about it, the fact that I had my first experience with love during a summer on the island of Crete. Thank you, Universe. I’ll take that!

Now, I mentioned at the start of this post that I was heartbroken in Cornwall, the town where I went to work at my government job after Crete. This summer love, like many summer loves, was only destined for a season. He went off to start doctoral work at a very prestigious school in a very lovely location. And I went off to my government job in the mill town. I had some problems with this :). If you’ve read any earlier posts, you might notice I’m a tad hard on myself. And I did not take this outcome well. In fact, I used it to paint the picture of me that I had always painted of myself: I was the loser of the story, destined to play the sad character of the tale, the fool, the pitiful one, etc. etc.

Eeyore sounds like a good name for me here – where on earth did I come up with this tale? I have no idea. It stays with me to this day – that I will fall from grace and be the ultimate loser of the story. That’s what played out here, and this arrangement, him and me, just seemed to confirm this for me.

And I missed him – so terribly. I tried keeping in touch, but he eventually drifted away into his new life. We hadn’t made any plans to stay together – it seemed unrealistic, even though he had once shyly suggested there was an apartment waiting for me should I choose to come. But I could not leave the job I had lined up – that was not allowed in my mind. And plus, 100%, it would NOT have worked out. I can say this with 10+ years hindsight. Although I was full of bitter regret (and it is a bitter thing) at that time.

Most of all, though, I missed the antidote. The antidote to the pain I carried around inside of me – that feeling that I was a loser, that I didn’t measure up, that I was not ever going to be good enough. I was destined to fail – it was only a matter of time. And in wake of failure would come the bleakest abandonment a human could experience. That was my template, and love was an antidote to that. It was the drug I didn’t even realize I needed until it was being so lovingly, freely, and readily pumped into my veins that summer. More more more. I needed more. And then it was cut off, and I felt like I couldn’t breathe at times, the tightness in my chest was so all-consuming. Sick fear washed over me and clouded my world. I know this feeling all too well – it is not merely love-sickness, although love-sickness is a potent example of this feeling, an expression of this pain. It’s the emptiness of utter self-hate that is begging to be diffused with love and compassion that I haven’t learned yet to give myself. And so I look outward, for grades, accolades, attention. I know this pattern all too well – it’s one of the great and terrible themes of my life.

I’ll have much more to say about it soon.

In the meantime, here is a poem I spontaneously wrote after seeing an exhibit on Chinese art at the Royal Ontario Museum. What does this have to do with the above? Well, I was with my parents at the time, just back from Crete, reeling in the aftermath of my withdrawal. As I wondered the exhibit with my parents, my dad asked me about the boy I had met on Crete (you see, they met him, because they came and visited me on my field school) – did I keep in touch with him? Ouch ouch ouch. Why did you have to ask that? Anyways, a caption from the museum exhibit, something about playing a game with immortals, captured my attention around that same time, and I wrote a poem. Writing was my lifeline, then and now. It was what sustained me. And so this poem was just one example of what was really keeping me going then (and now):

I Dreamt of You

I dreamt of you, far along the shallow seas

You were a ghost and you whispered my name

As you drifted forth.

I dreamt of you as a child with a kite,

Running forever and ever over those hills

Until you too were soaring.

I dreamt of you in paradise, with the immortals

Playing that wonderful game.

Whenever I dreamed, you were there

And your spirit was free.